Description
A cross-genre poetry collection that troubles the idea of poetic voice while considering history, biology, the shamanistic, and the shapes of racial memory.
In the final section of Negro Mountain, C. S. Giscombe writes, Negro Mountainthe summit of which is the highest point in Pennsylvaniais a default, a way among others to think about the Commonwealth. Named for an incident in which a Black man was killed while fighting on the side of white enslavers against Indigenous peoples in the eighteenth century, this mountain has a shadow presence throughout this collection; it appears, often indirectly, in accounts of visions, reimaginings of geography, testimonies about the natural world, and speculations and observations about race, sexuality, and monstrosity. These poems address location, but Giscombewho worked for ten years in central Pennsylvaniaunderstands location to be a practice, the continual action of situating.
The book weaves through the ranges of thinking that poetic voice itself might trouble. Addressing a gallery of figures, Giscombe probes their impurities and ambivalences as a way of examining what languages count or dont count as poetry. Here, he finds that the idea of poetry is visionary, but also investigatory and exploratory.
Author: C. S. Giscombe
Binding Type: Paperback
Publisher: University of Chicago Press
Published: 10/06/2023
Series: Phoenix Poets
Pages: 96
Weight: 0.4lbs
Size: 9.40h x 6.50w x 0.40d
ISBN: 9780226829715
Language: English
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